Robert Burns Mausoleum, St Michaels Churchyard, Dumfries.

Click on the Image above to open a Panorama Tour in a New Window
Click and Drag on the Panorama to move around
Click a Hot Spot to open a New Panorama
Click the Full Screen button to go Full Screen

Flash Player 9 or greater required

The remains of Scottish poet Robert Burns (1759-1796) lie in the vault of a Grecian style mausoleum in the south eastern corner of Saint Michael's Churchyard, Dumfries. The mausoleum was built by public subscription about 18 years after his death and his grave moved here (1815) from its original position in the north eastern corner, along with the graves of 2 of his deceased young sons who had died shortly after Burns. His wife Jean Armour also was interred here in 1834, and later, other members of his immediate family.

 
___________________________________________________________________________

The moving of Burns' remains from its original site to the mausoleum is fascinatingly described in the "History of the Burgh of Dumfries" page 732 by William H McDowal in 1862

"There being no room at the north corner of the churchyard where Burns was at first buried for the erection of a bulky structure, the mausoleum was built on a site in the south-east, so that the body had to be transported thither - a delicate duty, which was performed with as much privacy as possible. On the 19th of September, Mr. William Grierson of Boatford, the zealous secretary to the committee, Mr. James Thomson, superintendent of the monument, Mr. Milligan, builder, and Mr. James Bogie, gardener, Terraughty, "proceeded to the spot before the sun had risen, and made so good use of their time that the imposing ceremony was well-nigh completed before the public had time to assemble, or in fact were aware of the important duty in which the others had been engaged. [Picture of Dumfries, p. 85,] Two sons of the poet had been laid beside him - Maxwell Burns, the posthumous child who died in 1799, and Francis Wallace Burns, who died in 1803, aged fourteen. "On opening the grave the coffins of the boys were found in a tolerably entire state, placed in shells, and conveyed to the vault with the greatest care. As a report had been spread that the principal coffin was made of oak, a hope was entertained that it would be possible to transport it from the north to the east corner of St. Michael's without opening it, or disturbing the sacred deposit it contained. But this hope proved fallacious. On testing the coffin, it was found to be composed of the ordinary materials, and ready to yield to the slightest pressure; and the lid removed, a spectacle was unfolded which, considering the fame of the mighty dead, has rarely been witnessed by a single human being. There were the remains of the great poet, to all appearance Dearly entire, and retaining various traces of vitality, or rather exhibiting the features of one who had newly sunk into the sleep of death : the lordly forehead, arched and high, the scalp still covered with hair, and the teeth perfectly firm and white. The scene was so imposing that most of the workmen stood bare and uncovered - as the late Dr. Gregory did at the exhumation of the remains of the illustrious hero of Bannockburn - and at the same time felt their frames thrilling with some undefinable emotion, as they gazed on the ashes of him whose fame is as wide as the world itself. But the effect was momentary; for when they proceeded to insert a shell or case below the coffin, the head separated from the trunk, and the whole body, with the exception of the bones, crumbled into dust." [Picture of Dumfries, p. 86. ]' When the remains had been religiously gathered up, they were placed in a new coffin, and interred beside the dust of the two boys. The vault was then closed; and the party, solemnized by their close communion with "the buried majesty" of this Coila-crowned king of song, left the place."